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DEMNÄCHST ERSCHEINT




Blänkner, Reinhard / de Bruyn, Wolfgang (Hg.)
Salons und Musenhöfe
 


Braun, Michael / Dittmer, Kathrin / Rector, Martin (Hg.)
Gegenstrophe
 


Saure, Felix
Karl Friedrich Schinkel
 


Spiegelblatt, Alexander
Schatten klopfen ans Fenster
 


von Dalberg, Carl
Betrachtungen über das Universum
 

 

IN VORBEREITUNG



Oels, David / Porombka, Stephan / Schütz, Erhard (Hg.)
Non Fiktion
Arsenal der anderen Gattungen - Sachbücher für Kinder und Jugendliche
 

Öztanil, Guido Erol
»Stumme Lichtzeichen«
Arno Schmidt und das Kino
 

Tieck, Ludwig
Der Jahrmarkt
Novelle
 

von Ungern-Sternberg, Alexander
Die Zerrissenen
Roman
 


Kagel, Martin / Tate Kagel, Laura (Hg.)

The Meaning of Culture

German Studies in the 21st Century

Edited by Martin Kagel and Laura Tate Kagel


2009, mit 20 Abb., 272 Seiten, Gebunden
ISBN 978–3–86525–122–0
Preis: 29,50 €

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  The Meaning of Culture

 

 

How will the field of German studies be defined in the 21st century? What will be its identity, if it is not national? What relationship exists between culture and literature, and what is the meaning of culture in a German studies curriculum?—These are questions addressed in this collection of essays by leading North American scholars, including Katherine Arens, Celia Applegate, Matt Erlin, Jonathan M. Hess, Rembert Hüser, Michael W. Jennings, Sara Lennox, Simon Richter, Patricia Anne Simpson, and Stefan Soldovieri. The Meaning of Culture reflects the diversity of scholarship in North American German departments and constitutes a collective inquiry into the notion of culture in German studies.

The collection includes essays on a wide range of subjects, from musical culture in nineteenth-century Germany to contemporary German hip-hop artists, from German-Jewish literature to East German cinema, from the intersection of culture and economics in the late Enlightenment to transnational Germany, from a critique of the theoretical parameters of German studies to a discussion of Kafka iconography on U.S. German department web sites. Complementing the scholarly contributions are an interview with German filmmaker Andreas Dresen and four short stories by Turkish-German author Dilek Güngör.

 
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